
Type:
Panel discussion-Roundtable [
clear filter]
1:00pm EDT
5:30pm EDT
8:00am EDT
9:00am EDT
12:00pm EDT
2:00pm EDT
3:30pm EDT
8:00am EDT
8:30am EDT
9:30am EDT
11:30am EDT
1:30pm EDT
3:15pm EDT
8:00am EDT
9:45am EDT
11:30am EDT
1:00pm EDT
1:45pm EDT
3:30pm EDT
Betraying Artaud: Projects in Actual and Virtual Realities Yellowstone, Second Floor
David Goodman, Karen Brazell, and the Modern and Classical Japanese Theatres Concord, Ballroom Level
Design, Technology and Management Program of Kennedy Center American College Theater Festival (KCACTF) Glacier, Second Floor
Documentary Theatre as Civic Engagement Everglades, Second Floor
Engaging the 'Classics': Educating Students and Audiences through Performance of Classic Plays Bryce, Second Floor
National Partners of American Theatre (NAPAT): Welcome and the Awarded Play-reading, session 1 Regency D, Ballroom Level
Teaching Music Theory in the Musical Theatre Program Thornton C, Eleventh Floor
What do We Know? Dialogues on Applied Theater Scholarship and Praxis Lexington, Ballroom Level
5:15pm EDT
Embodied Research Methods: Proposals and Provocations Yosemite, Second Floor
Foundational Documents Session – Religion and Theatre Focus Group (RT): Performing Church and State: 'The Virginia Statute for Religious Freedom' Thornton C, Eleventh Floor
National Partners of American Theatre (NAPAT): Welcome and the Awarded Play-reading, session 2 Regency D, Ballroom Level
Outlaw Civics, Out Engagements: The LGBTQ Play Festival as a Platform for Advocacy, Collaboration, and Education Congressional C, Lobby Level
Playing to the Assessment Crowd: Assessment in the Theatre Program from Course to Curriculum Capitol B, Lobby Level
STAGING SEX: The Ins and Outs of Creating Romance on Stage. Capitol A, Lobby Level
The Capstone Course/Senior Project: Strategies for Design and Implementation Congressional B, Lobby Level
The Theatre Artist as World Citizen: Exploring Study/Work Abroad Requirements for B.F.A. Programs Bryce, Second Floor
7:00pm EDT
Collaboration on the Cutting Edge: Teaching and Staging the Contemporary Avant-Garde Grand Teton, Second Floor
Collaboratively-Devised Activist Theatre: Exploring the Implementation and Impact of One Devising Methodology in Diverse Contexts, Take 1 Congressional B, Lobby Level
Cultivating Theatre/Ecology: Nature: Culture, and the Human Citizen Lexington, Ballroom Level
Debating (in)Civility in Social Change Performance Yosemite, Second Floor
Demon Guides as Theatre Activists: Discussing the Lessons Learned from a Hell House Outreach Kit Thornton A, Eleventh Floor
Foundational Documents Session - Theory and Criticism (TC) Focus Group Thornton C, Eleventh Floor
It Takes a Village: The Pleasures and Perils of Academic Parenthood Concord, Ballroom Level
Model for Higher Education: The Arena Stage Collaborates and Engages DC Schools to Devise Performance Regency D, Ballroom Level
The Most Fabulous Producers: A Re-evaluation of Producers' Innovations and Achievements in American Theatre Thornton Lounge, Eleventh Floor
8:00am EDT
'ElderSpeak,' 'The Odyssey,' and How Sociodrama and Theatre Combine to Combat Ageism and Foster Improved Health Care Yellowstone, Second Floor
'My Own Best Friend': The Director/Choreographer as the Ultimate Collaborator Grand Teton, Second Floor
American Theatre and Drama Society (ATDS) Past Presidents Talk about Past Accomplishments and Future Goals Congressional B, Lobby Level
Metaphors and Discourses of Acting: Creating Room for More Voices at the Civic Table Thornton A, Eleventh Floor
Production Assessment as a Means to Advocate for Economic Support of Theatre in Higher Education Regency B, Ballroom Level
This is What Democracy Looks Like: Neoliberalism and Performance on the Global Stage Concord, Ballroom Level
Why Religion? Why Now? New Directions, Approaches, and Vocabulary for Religion and Theatre Thornton C, Eleventh Floor
9:45am EDT
11:30am EDT
1:00pm EDT
1:45pm EDT
3:30pm EDT
9:00pm EDT
8:00am EDT
9:45am EDT
11:30am EDT